utah

...now browsing by tag

 
 

2011 Favorite Images

Thursday, December 29th, 2011

This time of year always seems to dredge up a lot of nostalgia in me, mostly from the disbelief that the year can’t possibly be over.  It also seems to be the time of year when photographers reflect on their art and the direction its taken over the last twelve months.  For me, its been a very instructive and inspirational year, and I’ve made several images I quite like.

Ansel Adams said, “Twelve significant images in any one year is a good crop.”  I used to think this was ridiculous, but the more I photograph and refine my own style, the more I believe this to be true.  With Adams’ thoughts in mind, I chose what I believe to be my twelve most significant images of the year.  I hope you enjoy them!

Star trails over a hoodoo at the White Pocket

Star trails in northern Arizona, August

 

Dawn at Bisti Badlands, New Mexico

Dawn, northern New Mexico, July

 

Joshua Tree National Park Scene

Late-day light, Mojave Desert, California, May

 

Vishnu Temple, Grand Canyon National Park

Greeting the sun, Grand Canyon National Park, May

 

Waterholes Slot Canyon, Navajo Nation Arizona

Sandstone Seduction, northern Arizona, January

 

An intimate scene in Capitol Reef National Park, Utah

Intimate scene, Utah, July

 

Saguaro Skeleton, near Phoenix Arizona

Saguaro skeleton and moon, Arizona, January

 

Narrows of the Paria River, in southern Utah

Into the canyon, Utah, April

 

Factory Butte near Hanksville Utah

Dawn in the desert, Utah, August

 

Dried mud in the Paria River, Utah

Dried mud, Utah, April

 

Ibex Dunes, Death Valley National Park, California

Windstorm, California, December

 

Eureka Dunes, Death Valley National Park, California

Sensuous curves, California, December

Mood and creativity in image processing

Monday, December 12th, 2011

In February, I featured this image as my photo of the month; I took it in Buckskin Gulch, Utah on a cold, icy day.

Ice and sandstone in Buckskin Gulch, Utah

Original Ice Underneath, January 2011

The original scene stopped me because I liked the chilly feeling in the ice, and the way the light was reflecting off the walls of the canyon; the tafoni created an interesting pattern in the flowing rock wall.  In addition, I liked the sensuous line at the rock-ice interface.  However, mostly I liked the contrast between warm and cold tones.

While I was happy with the original edit of the image, I have recently revisited it in an effort to accentuate the feeling the original scene gave me.  With the current state of digital image processing, there are multiple ways to achieve my desired effect.  Guy Tal recently published a great article on understanding white balance; understanding that there can be more than one appropriate white balance within a scene has been immensely valuable to me as my own processing skills have developed.   Ultimately, I chose to use Nik’s Silver Efex Pro to give a slightly cooler color cast to the ice, thus conveying the contrast between warm and cool tones I originally envisioned when I was in the canyon on that cold January day.

Ice and sandstone tafoni in buckskin gulch, utah

Ice Underneath, rework, October 2011

While today’s cameras do an excellent job of capturing the “information” in a scene, there is still work to be done in bringing out the full potential in a scene during post-processing.  What are some of your favorite techniques in doing this?

Incidentally, my friend Guy Tal does have an excellent and in-depth e-book devoted to this subject; you can read more about it at this link.  Note that I’m not a member of his affiliate program, so I get nothing more than good karma if you purchase the e-book.

Intimate Zion

Wednesday, November 30th, 2011

I remember my first visit to Zion National Park as a teenager, on spring break, with my parents.  It was one of the only trips we took as a family that was a vacation for vacation’s sake.  All other car trips to that point had been to visit family in Wyoming or Nebraska.  I have to admit it felt odd to be on a vacation with my parents!  But, the massive sandstone cliffs and buttresses left me nothing less than floored, making me quickly forget about the awkwardness of “being seen” with my parents.

Since then, I’ve returned to Zion several times; I’ve hiked the entire length of the Narrows, the classic Virgin River hike, and I’ve been through many of the technical slot canyons in the park.  I feel privileged to have seen parts of the park that <1% of its visitors get to experience.  Most recently, I’ve returned to Zion with my own family, sharing its serenity and sanctuary with them.

Like all heavily photographed areas, Zion has its own repertoire of icons: the Towers of the Virgin, the Narrows, Court of the Patriarchs, the Subway.  Moving past these locations, though, I have consistently found it very difficult to make a compelling image in the midst of the breathtaking beauty.  I should qualify that statement: I find it difficult to make an image that makes me stop and say, “Wow, that’s awesome!”

On our most recent trip to the park, I focused on the intimate details.  Autumn is in its final throes in Zion Canyon right now, with most of the cottonwoods and maples half-naked, ready for their hibernation.  Three weeks ago, this place was crawling with photographers, I’m sure, now these trees have been all but forgotten about.  Still, I find a certain beauty in these vestiges of fall.

Fremont cottonwoods in autumn foliage, Zion National Park, Utah

Autumn's final vestiges, November 2011

Big leaf maple, Zion National Park, Utah

Hanging on, November 2011

Early morning is my favorite time to be in Zion Canyon; deer are peacefully grazing, turkey are out, and the chill is still in the air because the sun hasn’t penetrated the depths of the canyon yet.  There’s often a breeze blowing, almost as if the canyon is starting fresh every day.  As the cliffs begin to greet the sun, the light reflects on to the river, giving it a wonderful tonality.

Virgin River cascade

Cascade, November 2011

I welcomed Zion into my heart and mind years ago.  The fight I have with the place is that I haven’t–until recently–let it drive my creativity.  I’ve been trying to force the park to reveal itself to me in ways it isn’t ready to do.  Letting go of the notions I held on to let me see in a different way, making images I never expected to make, but am happy with.   I will continue making my yearly pilgrimages to the park; I look forward to seeing how the canyon reveals itself to me next time…and I’m grateful my son is years away from that stage of not wanting to be seen with me.  :)

Happy Thanksgiving

Thursday, November 24th, 2011

In the U.S., we’ve taken the day to give thanks for all the things in our lives–material and non-material things that bring us comfort and happiness.  If you’ve turned on the radio, opened the newspaper, or watched TV at all, you are well aware that there’s no shortage of opportunities to obtain happiness from material goods (rock bottom deals, starting at 10pm tonight!!!).  However, I sit here tonight thinking that the old cliché holds true–the best things in life are indeed free.

I spent the afternoon walking with my family in Zion Canyon, fallen cottonwood leaves littering the ground, the smells of autumn in the air.  As the sun went down, wild turkey, deer, and a grey fox graced us with their presence.  It gave me an opportunity to reflect on the things I’m thankful for; a few things are:

  • My capacity to feel love, and the people in my life who bring that out in me.
  • The fact that we have wild places to escape to.
  • My son, who’s curiosity, enthusiasm, and perception of the world always remind me to keep an open mind.
  • Good beer.  :)
  • The ability we have to visit places (wild or not) that inspire us.

I won’t bore you with a long list, but those are a few of the things that come to mind at this instant.  If you’re celebrating Thanksgiving today, I hope you’ve had a wonderful day connecting with friends and family…what are you thankful for today?

A cottonwood in fall colors along the Virgin River, Zion National Park, Utah

Happy Thanksgiving!

Photo of the Month–October

Saturday, October 1st, 2011

With the first day of autumn just a few days ago, I have been reminiscing about the fall mornings I remember from growing up in northern New Mexico.  I remember chilly mornings that gave way to pleasantly warm days, snow-dusted mountain peaks, and as Jackson reminded me with my September photo of the month, the smell of roasting green chiles.

Autumn arrives in the high country much earlier than October–those cold mornings and changing colors can arrive as early as August, when lower elevations are still sweltering in summer heat.  This summer, on a visit to the canyon country of southern Utah, we were able to escape for a night to 11,000′ on the Aquarius Plateau.  Made up in part by Boulder Mountain, just outside of Torrey, Utah and Capitol Reef National Park, the Plateau is nothing like the ecosystems that surround it.  It is the highest elevation plateau in North America, and has hundreds, if not thousands, of tiny lakes.  On the August morning I visited, it was about 35°F–a virtual paradise compared to the desert located less than 10 miles away, as the crow flies.

A beautiful sunrise on the Aquarius Plateau in southern Utah

August Sunrise, August 2011

Here in southern California, summer is hanging on tenaciously, and the ability to “fast forward” to fall would be much appreciated, just like I was able to do this summer on the Aquarius Plateau.

 

On Reverence

Friday, September 16th, 2011

For August in the Southwest, the air is unusually humid.  Dark clouds are rolling in from the west as we walk into the wide, shallow canyon.  A narrow trails has been worn in the horsetail reeds; they rise up past my waist and I put my hands out, letting my fingers run along their tips.  The leaves of the cottonwoods that dot this canyon are moving faster and the cool air of the incoming thunderstorm acts as a natural swamp cooler.  After about twenty minutes of walking, I look up onto a sandstone outcropping and see what I’ve came here to visit–an 800-year-old Ancestral Puebloan ruin nestled into the cliff.

I’ve returned to this area of southeastern Utah for my first significant visit in nearly 15 years.  Growing up, my Dad and I spent many hours backpacking the wild canyons of Cedar Mesa, and for the last several years, I’ve longed to come back for a visit.  My motivations for returning–I suppose–are many.  I’ve returned to slow down, hoping to escape the nonstop movement in southern California.  Similarly, I have returned to revisit my past; as an adolescent, I have suddenly realized that I took many of my early wilderness experiences for granted.  Photographic motivations also played a role–I want images of these places that define me.

An Ancestral Puebloan Dwelling near Moon House in McCloyd Canyon, Cedar Mesa, Utah

Ancestral Puebloan Dwelling, August 2011

I think, ultimately, I’ve returned because this is my epicenter: this is the place I fell in love with the Colorado Plateau.  Light-colored Cedar Mesa sandstone with its bold desert varnish seemed to always be a part of my early wilderness experiences.  Its is part of me–occasionally when I accidentally cut myself, I look closely at the blood, perhaps hoping its become the color of the Organ Rock or Moenkopi shales that top the Cedar Mesa formation.  I’ve come back to pay reverence to the natural and cultural history of this landscape.

Ancestral Puebloan  Handprints, Cedar Mesa Utah

Paul Woodruff describes reverence as a virtue; the more reverence you have, the greater your capacity to feel respect, awe, shame.  As a visitor to the canyons of Cedar Mesa, all of these emotions are evoked inside of me.  I feel a deep respect for the Ancestral Puebloan people who settled here, multiple times, to make a living.  Although the landscape was likely different centuries ago, it was still a hot, dry place, but they made a living, farming the verdant canyons and carving out a life on the cliffs.  The work that went into these structures is tangible–look closely and you can see ancient finger and palm prints in the dried mud of their walls.  The forces that shaped this labyrinth of canyons are nothing less than awe-inspring.

Yes, one even can feel shame here, although it isn’t necessarily a bad thing.  I am ashamed I didn’t appreciate my early visits more, that I am just now realizing the full impact of the history available to us up on this small mesa in lovely, remote southeastern Utah.  Indeed, for the individual willing to open his heart and mind (and sometimes to close his mouth), these canyons can speak to you.

Moonhouse Ruin, McCloyd Canyon, Cedar Mesa Utah

Photo of the Month–September

Thursday, September 1st, 2011

With September arriving, and–in the United States–Labor Day weekend marking the unofficial end of summer, it seems like people are beginning to turn their attention to the arrival of autumn.

If you’ve been in the high country, you’ve probably already felt the first hints of fall: crisp evenings, the smell of dry leaves, and the slow disappearance of monsoons are all things that–for me–mark the beginning of my favorite season.  Some of my fondest memories in the mountains are at this time of year.  And, while fall hasn’t quite come to the deserts and canyons yet, it will.  There’s nothing quite like laying out on a sun-warmed slab of sandstone on a brisk fall day.  Autumn really is the best time to be in the redrock wilderness.

This month’s image celebrates the transition from summer to fall.  A golden cottonwood leaf rests on clay soil that’s drying after a summer rainstorm.

Peaceful scene in Capitol Reef National Park

Transitional, August 2011

They say the sense of smell is mostly closely tied to memory.  For me, the smells of autumn are what mark its beginning.  How are your senses stimulated when the seasons change?

The need for wilderness

Wednesday, August 10th, 2011

Its my fourth morning waking up in the desert.  Red dirt fills my pores, and has combined with sweat to form a sort of “desert varnish” over most of my body–a strangely welcome feeling that instantly evokes memories of summer on the Colorado Plateau.   I climb out of my sleeping bag, fetch my tripod and camera and walk up the ridge.  Below me, a deer moves through the willows, startled no doubt by my heavy feet.  Moving further up the ridge and out of the shaded valley, the air warms, but last night’s rain has left the smells of dirt and sage heavy in the air.

I am slightly groggy still as I arrive at the viewpoint I scouted the night before.  The sun isn’t up yet, but will begin to break the landscape very soon.  I sit on a rock, surveying the sky–no clouds.  The rain had left me hopeful of a dramatic sunrise.  No luck today.  The distant cliffs begin to light up, bright sunlight working its way down the face, highlighting the subtlety in the elegant Wingate sandstone.   Sitting there, I smile…I’m home.

Describing the Colorado Plateau has always been incredibly difficult for me.  I think this is largely because we all know of its immediate beauty, but the subdued details only reveal themselves with time, after you’ve developed a relationship with the place.  Putting the place you love into words for someone who has never been there (or has been there) is not easy, whether its redrock wilderness, the Oregon coast, the brooks of Massachusetts, or the San Juan Mountains in Colorado.  The only way to experience it is to coat yourself in dust, sit there, and ponder the land.

The clarity and peace of mind that come out of a relationship with the land is the very reason we need wilderness.  Looking around, we see the world changing, at a rapid pace.  It dismays me but the fight to save wilderness will begin soon, if not in our generation, certainly in our children’s.  Not only must we fight to ensure proper the legislation is in place now, we must also foster this sense of place and belonging in our kids.  Thus, to quote Edward Abbey:

It is not enough to fight for the land; it is even more important to enjoy it. While you can. While it’s still here.

So get out there and ramble out yonder, and make every moment count.

Sunrise on a ridge in Capitol Reef National Park, Utah

Capitol Reef sunrise, July 2011

But I’m Not Dead Yet

Tuesday, July 12th, 2011

Over the last few weeks, family trips, a busy work schedule, and various home improvements have kept me extremely busy.  Of course this would drive any photographer/blogger crazy because I really enjoy writing, and I do have some new images to share.  I’ll be posting more in the latter half of July, but in the meantime I do want to put up some links to new images.

A few weeks ago, I shared an image from a small drainage near the northern border of Kolob Canyon, in Zion National Park.  Kanarra Creek, near the small community of Kanarraville, is such a great place, and despite its small size, it rivals the more popular Virgin Narrows in beauty.  In addition, south of Zion Canyon is a virtually untracked wilderness–the Smithsonian Butte National Scenic Backway.  Both of these locations, although “known” seem to be virtually “unknown.”  However, to celebrate the entire area, and perhaps to emphasize that there is indeed more to photograph that just Zion itself.  You can see my images of the Greater Zion Region here.

The Smithsonian Butte, south of Zion Canyon

Smithsonian Butte, June 2011

Over the Fourth of July, we made a trip out to the Four Corners Region to visit my parents in northwestern New Mexico.  While there, I got to re-visit the Bisti Badlands Wilderness, south of Farmington, New Mexico.  Although I grew up less than an hour’s drive from this amazing moonscape, I have to admit that I never fully appreciated it as a 17 year old (in fact, if I remember correctly, it was downright torture every time I was “forced” on a hike by my dad!).  What a difference several years makes!  I was sad to get only one morning in the Bisti, but you can view the images here.  Finally, in addition to visiting the Bisti, I was able to visit several other archaeological sites in the San Juan Basin; most of these sites were occupied by early Navajo inhabitants in the early-mid 1700s.  While this gallery will grow with time, you can see a couple of images here.

A Navajo pictograph from the San Juan Basin of northern New Mexico

Warrior Pose, July 2011

I hope you enjoy the images, and don’t give up on me…I’m not dead yet!  More to come soon!

New Mexico Images (Bisti Badlands & the San Juan Basin)

Greater Zion Region Images

Persistence

Friday, June 24th, 2011

The ability of nature to persist and overcome challenges is something that continues to amaze me.  I remember, when I lived in Wyoming, driving to the Medicine Bow Mountains for the first time, and seeing the wind-battered pines that have been successful despite decades of cold temperatures, howling gales, and heavy snowfall.  Many of them seemed to grow (albeit somewhat crookedly) out of solid granite.  We read all the time about organisms that persist in some of the world’s most hostile environments (see here and here).

I just returned from a fantastic trip to southwestern Utah.  High on the wall of a slot canyon, I noticed these trees–a maple and a piñon pine–clinging to the rock, about 60′ in the air.  Surely, these trees have not had an easy life.  While they probably never see flood water, they must deal with howling winds, freezing temperatures, and despite the creek beneath them, probably a paucity of water.  Yet, they survive.

Redrock walls of Kanarra Creek, near Kanarraville, Utah

Persistence, June 2011

This sort of persistence becomes an instructive metaphor for photography, too.  Although it may not be the easiest way to survive, these trees hang on and dig in with their roots, making a life for themselves.  In much the same way, it is all too easy for a photographer to get caught up in making images of scenes that have been photographed many times before.  The real art comes from years of persistence, when the image-makers dig deep into themselves, ask the tough questions about inspiration and creativity, and follow their heart.  After all, your art should be about you.  In much the same way as these trees have created art, the photographer does so…with a little persistence.