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Return to Middle Earth

Tuesday, September 26th, 2017

I want to see mountains again, Gandalf, mountains, and then find somewhere where I can rest. In peace and quiet, without a lot of relatives prying around, and a string of confounded visitors hanging on the bell. I might find somewhere where I can finish my book. I have thought of a nice ending for it: and he lived happily ever after to the end of his days.” – J.R.R. Tolkien


Autumn is, without a doubt, my favorite season. The light is longer, even warm days have a different tone, birds make their escape to warmer climates, and to paraphrase Gretel Ehrlich, the beautiful changing leaves are the verbs that conjugate the seasons. Autumn is almost certainly the time of the year I am the happiest.

Although I should have been working on my Wilderness Project, I opted to start the season by escaping to the high country. In hopes of getting a much-needed taste of Autumn, last week I visited the Tushar Mountains, a small mountain range in central Utah. I arrived right as a fall storm was moving out of the area. In the days before my visit, it had deposited a skiff of fresh snow in the higher parts of the range. Elk were bugling in the thickets, and aspens had begun to turn. Autumn was definitely in the air!

detail of a high altitude hillside in the tushar mountains of southern utah

We first visited this lovely mountain range in July. Always struck by the way a landscape can affect–or speak to–a person, I knew instantly the Tushars had claimed another victim in me. These mountains are unlike anything I’ve ever seen. Broad high altitude ridge lines, stout peaks, steep canyons, and verdant hanging valleys (“pockets”) remind me of something from Tolkien’s Middle Earth. The way the light played on the ridges and snowfields extending from the summit of Delano Peak (12,169′)–the highest point in the Tushars–was simply magical. Yup, I knew I had to go back.

The Tushars are a volcanic mountain range that sit on the ecological cusp of the Great Basin and Colorado Plateau. They are geologically interesting; two separate volcanic events have shaped them, erosion has worn them down, and glaciers have carved their canyons. The Toquima Mountains in Nevada and the San Juan Mountains in Colorado are also good examples of  volcanic ranges. The Tushars’ white peaks–formed by ash flow–stand in stark contrast to the darker volcanic rock of the lower canyons.

photo of a small waterfall and colorful aspen trees in front of two mountains peaks in utah's tushar mountains

photo of a volcanic rock outcropping at sunrise in beaver canyon, utah

Although they are beautiful and unique, images don’t present themselves easily. Because of their nature, you don’t find majestic skylines like you would in the Tetons. To the casual traveler viewing the Tushar Mountains for the first time, they look nondescript…not especially noteworthy. As they say though, most things worth getting to know require a bit of time. The US Forest Service, which manages the public lands in the Tushars (part of the Fishlake National Forest), has a trail system in the Tushars, and off-trail travel is easy. Thus, it’s easy to “choose your own adventure.”


In addition to what was mostly solo hiking, I enjoyed talking with a couple of mountain goat hunters, locals whose families had been in the Tushars for generations. I was also fortunate to connect with a local landscape photographer, Brady Nay, who spent a day hiking with me and showing me some of the places he grew up with. It is always nice to meet other photographers whose images are driven by a sense of connection to a particular landscape. Brady’s certainly are, and it was a really fun day to explore some of the canyons in the Tushars with him. Whether it’s hunting or photography, public lands really do bind us all together.

a two-tiered waterfall with pale rock and bright green moss in the tushar mountains of southern utah

photo of a hunter leading his horse off of a snow-covered slope in the tussah mountains of southern utah

Wherever autumn finds you, I hope you find someplace you can rest, in peace and quiet, to enjoy the season’s best!

Long-distance relationships

Thursday, June 4th, 2015

“Sense of place is the sixth sense, an internal compass and map made by memory and spatial perception together.” — Rebecca Solnit


Over the last several years, I’ve devoted much of this blog and my photographic efforts towards the Colorado Plateau.  More so than even the results I’ve shared here, I’ve devoted time and experience to the Plateau; no place I’ve visited has given me a more of a feeling of calm than that landscape of sinuous canyons, sandstone mesas, and petrified sand dunes.  That’s why I return year after year without fail; every time I go back I hear my bones say, “I’m home.”

I feel that the resulting images from my time spent on the Plateau are purpose-driven, grounded, intimate, and unique.  As an individual, no one else can see things quite like me, and I want my portfolio to reflect my own way of seeing.  Just like with any relationship, time has been invested to get to know the Plateau, as well as a few cactus pricks, scrapes, and bruises.

Because of my approach to photography, I’ve never been great at walking into a place for the first time and being comfortable making images.  I almost always experience some intangible awkwardness during the process.  How does place-based landscape photography translate to travel to distant locations, where a great distance has been traveled and the unlikelihood of ever returning again is small?  I recently found myself asking this question when my girlfriend and I ventured to Iceland for my first big trip away from the Southwest.  Tourism in Iceland has exploded in popularity over the decade or so, and I wanted to avoid making copies of everyone else’s images; I wanted to see the country with fresh eyes.


Stormy mountain scene near Vik

Planning an appropriate itinerary is key.  While it’s tempting to want to see everything, that is not conducive to thoughtful landscape photography.  We picked out three or four places that we considered ‘must-see’ locations and planned around them.  Anything more would have been difficult or impossible given the amount of time we had.

In concert with the logistics, I had to ask myself, “why is this a must-see location for me?”  Presumably the idea of it spoke to me in some way, so I proceeded to learn more about these places.  Iceland, like many European countries, has a rich history, so spending time to learn the stories of the places I wanted to visit helped me to tell the stories with my images.  Knowing the story behind many of the Icelandic sagas helped me to understand the culture and people, and reading about the geology of this ever-changing island also helped give me a sense of place.  As always, I had a map out as I did this, allowing me to connect the landscape with the stories.

Seljalandsfoss Waterfall

Being able to go back to Iceland would probably be of great benefit to me photographically.  However, the work I did before leaving home made me feel as though I had a connection to the place before ever setting foot there, which–in my opinion–made the photography that much more productive, enjoyable, and meaningful.  People and places make up the topography of our lives; the result is not much different than a landscape, with valleys and peaks, sunrises and sunsets.  My internal compass will always calibrate toward the Colorado Plateau and Southwestern United States, but I came home from my first international trip understanding that it is possible to connect with a place even if I may never visit again.

See all of my Iceland images here.

Reynisdrangar sea stacks

Jökulsárlón Lagoon