On Reverence

Written by Alpenglow Images on September 16th, 2011

For August in the Southwest, the air is unusually humid.  Dark clouds are rolling in from the west as we walk into the wide, shallow canyon.  A narrow trails has been worn in the horsetail reeds; they rise up past my waist and I put my hands out, letting my fingers run along their tips.  The leaves of the cottonwoods that dot this canyon are moving faster and the cool air of the incoming thunderstorm acts as a natural swamp cooler.  After about twenty minutes of walking, I look up onto a sandstone outcropping and see what I’ve came here to visit–an 800-year-old Ancestral Puebloan ruin nestled into the cliff.

I’ve returned to this area of southeastern Utah for my first significant visit in nearly 15 years.  Growing up, my Dad and I spent many hours backpacking the wild canyons of Cedar Mesa, and for the last several years, I’ve longed to come back for a visit.  My motivations for returning–I suppose–are many.  I’ve returned to slow down, hoping to escape the nonstop movement in southern California.  Similarly, I have returned to revisit my past; as an adolescent, I have suddenly realized that I took many of my early wilderness experiences for granted.  Photographic motivations also played a role–I want images of these places that define me.

An Ancestral Puebloan Dwelling near Moon House in McCloyd Canyon, Cedar Mesa, Utah

Ancestral Puebloan Dwelling, August 2011

I think, ultimately, I’ve returned because this is my epicenter: this is the place I fell in love with the Colorado Plateau.  Light-colored Cedar Mesa sandstone with its bold desert varnish seemed to always be a part of my early wilderness experiences.  Its is part of me–occasionally when I accidentally cut myself, I look closely at the blood, perhaps hoping its become the color of the Organ Rock or Moenkopi shales that top the Cedar Mesa formation.  I’ve come back to pay reverence to the natural and cultural history of this landscape.

Ancestral Puebloan Handprints, Cedar Mesa Utah

Paul Woodruff describes reverence as a virtue; the more reverence you have, the greater your capacity to feel respect, awe, shame.  As a visitor to the canyons of Cedar Mesa, all of these emotions are evoked inside of me.  I feel a deep respect for the Ancestral Puebloan people who settled here, multiple times, to make a living.  Although the landscape was likely different centuries ago, it was still a hot, dry place, but they made a living, farming the verdant canyons and carving out a life on the cliffs.  The work that went into these structures is tangible–look closely and you can see ancient finger and palm prints in the dried mud of their walls.  The forces that shaped this labyrinth of canyons are nothing less than awe-inspring.

Yes, one even can feel shame here, although it isn’t necessarily a bad thing.  I am ashamed I didn’t appreciate my early visits more, that I am just now realizing the full impact of the history available to us up on this small mesa in lovely, remote southeastern Utah.  Indeed, for the individual willing to open his heart and mind (and sometimes to close his mouth), these canyons can speak to you.

Moonhouse Ruin, McCloyd Canyon, Cedar Mesa Utah

 

Children, backpacking, and photography

Written by Alpenglow Images on September 9th, 2011

A couple of posts ago, I wrote about our son, what we can learn from children, and most importantly, that he was “training” for his first big boy backpacking trip.  This past weekend, we visited the Cathedral Lakes in Yosemite National Park, and although a trip like this with a small child had the potential to turn out really badly, it ended up being very enjoyable.  The success of the trip was due to quite a bit of luck, planning, collaboration between my wife and I, and as I wrote last time, a new way of seeing.

Reflection of Cathedral Peak in Yosemite National Park, California

Cathedral Peak, September 2011

Ever since Owen was a small baby (even before he was born), he’s been in a walking family.  When my wife was pregnant, she walked about 8 miles a day, and since then we’ve walked with him.  For almost 2 1/2 years, he rode in a baby carrier (even on his first backpacking trip).  So, leading up to the day he finally hiked by himself, he understood what hiking was about.

Still, children are anything but fast on the trail, so a reward system for small accomplishments was key.  My wife carried a sticker book and let him choose stickers as rewards often.  Although the pace probably felt rushed to him, to an adult, it can feel slow–glacially slow.  For all but the most patient individual, it becomes easy to let frustration with the pace creep in.  To help avoid that, my wife and I took turns hiking ahead, just to feel like we were making a little faster progress.  That said, the most important lesson learned here is to enjoy the journey for its own sake.  The day’s endpoint is not the goal–not by a long shot.

You might remember my post from a year or so ago–Range of Light–in which I described Owen’s first backpacking trip.  As a parent, you can’t take this sort of trip lightly.  In a sense, this is “make it or break it” time–during these formative years, you have the opportunity for your child to forge a connection with the wilderness.  To say that wilderness is our heritage may be cliché, but it is the greatest gift we can leave future generations.  Perhaps even more important than fighting for it, we must teach our children to be stewards for the land.

To this end, a trip like this isn’t about you, its about your kids…the future.  As a result, the photographer in you may find you get as much time to scout locations, and set up as you’d like.  Although my wife is incredibly accommodating, with a 3-year-old in camp, there are chores to be done, and they take longer than normal.  I found myself rushing out of camp as the light changed, shooting for 30 minutes, and coming back to check on the family.

The more I contemplate the motivations behind my own photography, I become more and more convinced that understanding my own sense of place is crucial.  As a result, emphasis shifts to the experience rather than the image harvest–I have never understood the idea of taking 1,000 frames in a weekend and taking 6 months to process them.  Spending time with my family in the backcountry–letting my son establish his own sense of place–and making a few quality, heartfelt images along the way seems to be the way to go.

A small child enjoys the yosemite national park backcountry

Contentment, September 2011

 

Photo of the Month–September

Written by Alpenglow Images on September 1st, 2011

With September arriving, and–in the United States–Labor Day weekend marking the unofficial end of summer, it seems like people are beginning to turn their attention to the arrival of autumn.

If you’ve been in the high country, you’ve probably already felt the first hints of fall: crisp evenings, the smell of dry leaves, and the slow disappearance of monsoons are all things that–for me–mark the beginning of my favorite season.  Some of my fondest memories in the mountains are at this time of year.  And, while fall hasn’t quite come to the deserts and canyons yet, it will.  There’s nothing quite like laying out on a sun-warmed slab of sandstone on a brisk fall day.  Autumn really is the best time to be in the redrock wilderness.

This month’s image celebrates the transition from summer to fall.  A golden cottonwood leaf rests on clay soil that’s drying after a summer rainstorm.

Peaceful scene in Capitol Reef National Park

Transitional, August 2011

They say the sense of smell is mostly closely tied to memory.  For me, the smells of autumn are what mark its beginning.  How are your senses stimulated when the seasons change?

 

Little Mentors

Written by Alpenglow Images on August 22nd, 2011

“The real voyage of discovery consists not in seeking new landscapes but in having new eyes.”  –Marcel Proust

Ask any parent, and they’ll tell you that every  day is a new adventure, especially with young children.  So its been with my son, who is now three.  Our newest adventure has been to get him ready for his first “big boy” backpacking trip by taking him hiking often.  Prior to this, he had always ridden like a little prince in a backpack, but as he’s grown heavier and more independent the shift to having him walk was inevitable.

I opened this post with a quote my best friend recently sent me.  Proust’s words caused me to take pause for several reasons; from a photographic point of view, I think there is significant meaning here, and hiking with my son helps to illustrate that.  Toddlers are anything but fast.  Every 20 feet or so, we have to stop and go through any myriad of activities: digging in the dirt, touching every flower on a bush, sticking hands down animal burrows (yes, I put a stop to this very quickly!), etc.  Progress is, needless to say, slow.  But, its a process that’s helped me to see with new eyes.

Go go go, hurry hurry hurry.  Get up, fix breakfast, go for a run, shower, out the door, sit in traffic, work for 8 hours, sit in traffic, eat dinner, do dishes, go to bed.  How many of us can relate to that?  Even with photography, can you relate to that?  I’m sure, on some level, you can.  In the timespan of a 2 mile walk with my son, he managed to show me some interesting tracks in the dirt, a really cool scorpion exoskeleton, and a rock that looked “like a pair of sunglasses.”  In other words, I saw things I normally would have walked by, or ignored.

In a world where we drive blindly between scenic viewpoints as if someone is telling us what’s worth seeing, and we rush between items on a to-do list, do you think we have something to learn from a 3-year-old who is discovering the world around him?

Father and Son hiking at Crystal Cove State Park, California

My new mentor and I, August 2011

 

A recommendation and invitation

Written by Alpenglow Images on August 12th, 2011

Last spring Gary Crabbe published an essay (read it here) that has really stuck with me.  Our own perception and preconceived notions have such a profound effect on the situation.  Sometimes this impact is positive, but it can be negative as well.  As a result, Gary’s thoughts have kept me cognizant of this, and I’ve learned to remember to break free from my own self-imposed constraints when looking at a situation and shift my viewpoint.

Often that makes all the difference in the world.

If you’re a regular reader of my blog, you’ll know that I’ve taken a great interest in the idea of “sense of place” over the last year.  While I’m still fleshing out much of what this notion means to me, knowing where I am (and who I am) has had a positive impact on my creativity and photography.

This is short notice, but I’ll be talking about sense of place and photography at the Lancaster Photography Association’s monthly meeting this coming Tuesday, August 16 (6pm at the Antelope Valley Senior Center).  The LPA always welcomes guests at their meetings–if you’re in the area, it would be great if you could come by.

So, check out Gary’s blog (always worth a regular read–he posts some great images and thoughts), and come to the Antelope Valley next Tuesday.

You can look at the PDF of my Powerpoint slides from the talk by clicking here.

The Henry Mountains and rainbow as seen from Capitol Reef National Park, Utah

Shifting viewpoints, July 2011

 

The need for wilderness

Written by Alpenglow Images on August 10th, 2011

Its my fourth morning waking up in the desert.  Red dirt fills my pores, and has combined with sweat to form a sort of “desert varnish” over most of my body–a strangely welcome feeling that instantly evokes memories of summer on the Colorado Plateau.   I climb out of my sleeping bag, fetch my tripod and camera and walk up the ridge.  Below me, a deer moves through the willows, startled no doubt by my heavy feet.  Moving further up the ridge and out of the shaded valley, the air warms, but last night’s rain has left the smells of dirt and sage heavy in the air.

I am slightly groggy still as I arrive at the viewpoint I scouted the night before.  The sun isn’t up yet, but will begin to break the landscape very soon.  I sit on a rock, surveying the sky–no clouds.  The rain had left me hopeful of a dramatic sunrise.  No luck today.  The distant cliffs begin to light up, bright sunlight working its way down the face, highlighting the subtlety in the elegant Wingate sandstone.   Sitting there, I smile…I’m home.

Describing the Colorado Plateau has always been incredibly difficult for me.  I think this is largely because we all know of its immediate beauty, but the subdued details only reveal themselves with time, after you’ve developed a relationship with the place.  Putting the place you love into words for someone who has never been there (or has been there) is not easy, whether its redrock wilderness, the Oregon coast, the brooks of Massachusetts, or the San Juan Mountains in Colorado.  The only way to experience it is to coat yourself in dust, sit there, and ponder the land.

The clarity and peace of mind that come out of a relationship with the land is the very reason we need wilderness.  Looking around, we see the world changing, at a rapid pace.  It dismays me but the fight to save wilderness will begin soon, if not in our generation, certainly in our children’s.  Not only must we fight to ensure proper the legislation is in place now, we must also foster this sense of place and belonging in our kids.  Thus, to quote Edward Abbey:

It is not enough to fight for the land; it is even more important to enjoy it. While you can. While it’s still here.

So get out there and ramble out yonder, and make every moment count.

Sunrise on a ridge in Capitol Reef National Park, Utah

Capitol Reef sunrise, July 2011

 

Photo of the Month–August

Written by Alpenglow Images on August 1st, 2011

Sometimes, its the small scenes that really grab you, draw you in, and move you.  Indeed, the intimate landscape is often the grandest.  I made August’s photo in Nevada’s Valley of Fire State Park, where a tiny mineral deposit in the sandstone stopped me in my tracks.  It took a few different exposure settings to get the effect I wanted: to really accentuate the fine lines in the deposit, making them prominent in the frame.

Abstract sandstone image in Valley of Fire State Park, Nevada

Dendritic Connections, April 2011

At the time I made the image, as well as now, this little pattern reminds a neuron–our brains are made up largely of billions of these cells, each one connected to the other by thousands (or hundreds of thousands) of other connections.  In this way, information travels in the form of electrical impulses from cell to cell.  While biologists understand the basics of how information is transmitted, they do not understand completely how information is perceived and interpreted.  It is clear, however, that perception is an incredibly complex trait.

Although the basics of perception are probably quite similar between individuals, we only have to look around to see that everyone is different–we’re all uniquely us.  As such, it is logical to conclude that our brains all interpret scenes, beauty, differently.  If you’re reading this, you probably agree that art is subjective, but rather than simply accepting it, I find great joy in knowing we all see the world differently.  There are so many ways of seeing; that’s a fact worth celebrating.

 

 

Till Death

Written by Alpenglow Images on July 22nd, 2011

Not to sound too sociopathic, but death has always interested me.  Perhaps its the remnants of a childhood curiosity, but when I’m out and I see a dead animal I always stop to look at it, and if I have my camera handy, I often will photograph it as well (see here and here).  I guess, on some level, I feel there’s a very distinguished beauty in death, the ability to rest in peace, returning to the earth, and photographing it is my way of honoring the cycle we all will participate in.

Last week, a Cooper’s Hawk (Accipiter cooperii) turned up in my yard; it had been completely consumed by another predator (another hawk, I assume), leaving only the legs, wings, and tail feathers.  Before picking up the carcass, I made sure to make a few images of it.

Cooper's Hawk (Accipiter cooperii) talons

Talons, July 2011

Wing of a cooper's hawk (Accipiter cooperii)

Flight pattern, July 2011

 

The Gloaming Hour

Written by Alpenglow Images on July 15th, 2011

“The grand show is eternal. It is always sunrise somewhere; the dew is never dried all at once; a shower is forever falling; vapor is ever rising. Eternal sunrise, eternal dawn and gloaming, on sea and continents and islands, each in its turn, as the round earth rolls.”

–John Muir

 Not many people can say it quite like John Muir.  It wasn’t until I read this passage years ago that I’d even heard about gloaming–that time right before dawn or after sunset in which light present in the upper atmosphere illuminates the earth, which is not lit directly by the sun.

During the gloaming, one of my favorite atmospheric events occurs–the earth’s shadow can be seen on the horizon.  The dark blue band at the horizon is the shadow of the earth as the sun creeps nearer the horizon.  At this time, another phenomenon can be seen; the Belt of Venus is the pinkish band in the sky above the earth’s shadow.

Hoodoos during the gloaming hour in the Bisti Badlands of northern New Mexico

Gloaming, July 2011

There’s a lot of emphasis placed on capturing the sweet light as the sun rises or sets.  Indeed, it is sweet…long light on a mountain peak or on desert red rock almost always makes for a pretty photograph.  But, one of my favorite times of day is the gloaming hour, when there’s a subtle, but just as grand light show occurring.

What’s your favorite time of day for photography, or in general?

 

But I’m Not Dead Yet

Written by Alpenglow Images on July 12th, 2011

Over the last few weeks, family trips, a busy work schedule, and various home improvements have kept me extremely busy.  Of course this would drive any photographer/blogger crazy because I really enjoy writing, and I do have some new images to share.  I’ll be posting more in the latter half of July, but in the meantime I do want to put up some links to new images.

A few weeks ago, I shared an image from a small drainage near the northern border of Kolob Canyon, in Zion National Park.  Kanarra Creek, near the small community of Kanarraville, is such a great place, and despite its small size, it rivals the more popular Virgin Narrows in beauty.  In addition, south of Zion Canyon is a virtually untracked wilderness–the Smithsonian Butte National Scenic Backway.  Both of these locations, although “known” seem to be virtually “unknown.”  However, to celebrate the entire area, and perhaps to emphasize that there is indeed more to photograph that just Zion itself.  You can see my images of the Greater Zion Region here.

The Smithsonian Butte, south of Zion Canyon

Smithsonian Butte, June 2011

Over the Fourth of July, we made a trip out to the Four Corners Region to visit my parents in northwestern New Mexico.  While there, I got to re-visit the Bisti Badlands Wilderness, south of Farmington, New Mexico.  Although I grew up less than an hour’s drive from this amazing moonscape, I have to admit that I never fully appreciated it as a 17 year old (in fact, if I remember correctly, it was downright torture every time I was “forced” on a hike by my dad!).  What a difference several years makes!  I was sad to get only one morning in the Bisti, but you can view the images here.  Finally, in addition to visiting the Bisti, I was able to visit several other archaeological sites in the San Juan Basin; most of these sites were occupied by early Navajo inhabitants in the early-mid 1700s.  While this gallery will grow with time, you can see a couple of images here.

A Navajo pictograph from the San Juan Basin of northern New Mexico

Warrior Pose, July 2011

I hope you enjoy the images, and don’t give up on me…I’m not dead yet!  More to come soon!

New Mexico Images (Bisti Badlands & the San Juan Basin)

Greater Zion Region Images